Sep 24, 2014 The Xone:23C has excellent build quailty. The chassis is all metal and everything just feels solid. The Xone:23C is also like a 2+2 channel mixer since it has separate gain knobs for each of the. Aug 03, 2014 One selling point of the XONE:23C is the fact that it includes Mixvibes Cross LE, which is DVS (timecode) enabled. Of course, it doesn’t include any control records or CDs and I didn’t see where to buy them on the Mixvibes website. The Xone:23C DJ Mixer ships with Mixvibes Cross LE DJ Software, providing DVS control and plug. N'play mapping for Xone:K Series. Buy Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software at Juno Records. In stock now for same day shipping. Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software. Mar 11, 2014 Following the launch of the Xone:23 earlier this year, Allen & Heath has announced the introduction of a sister product, the Xone:23C. Also a 2 channel mixer, the Xone:23C features the same pro features as the Xone:23, with the addition of a 4 stereo channel internal soundcard, X:LINK to connect compatible Xone products, and ships with a copy of Mixvibes Cross LE software.
Allen & Heath’s relatively quiet run seems to have come to an end. Having seen the Xone:23 at NAMM, they’ve also brought out a USB enabled X:LINK ready version. The Xone 23C has all the pint-sized goodness of the Xone:23, but now has a much better conversation with the outside world.
Here’s the word from our friends in Cornwall:
ALLEN & HEATH TO ADD XONE:23C DJ MIXER TO XONE RANGE
Following the launch of the Xone:23 earlier this year, Allen & Heath has announced the introduction of a sister product, the Xone:23C. Also a 2 channel mixer, the Xone:23C features the same pro features as the Xone:23, with the addition of a 4 stereo channel internal soundcard, X:LINK to connect compatible Xone products, and ships with a copy of Mixvibes Cross LE software.
The 96kHz 24bit 4 stereo channel USB soundcard enables replay and recording from any chosen DJ software, offering users all the benefits of digital DJing using the controls of a “real” mixer. The bundled Mixvibes Cross LE software also enables 2-deck DVS control, and plug ‘n play connection of a Xone:K series controller, premapped ready for use.
The Xone:23C also features the renowned analogue Voltage Control Filter (VCF) system, offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. Car driving simulator download torrent.
Mixvibes Cross Le Xone 23c Video
The 2 stereo channels feature independent level controls for each of 4 inputs enabling up to four stereo sources to be simultaneously routed to the mix, as well as the dedicated send and return system for external FX. The cross fader can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory from Allen & Heath.
The main mix output and mic input are on professional standard balanced XLR’s, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters.
Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate.
“The Xone:23C offers the ability to interface with digital Djing whilst utilising conventional mixing in a compact, accessible format,” comments Xone product specialist, Greg Ibbotson. “With the option to add our Xone controllers to the mixer setup via X:LINK, you not only save USB ports on your computer but have extended software control at your fingertips for expanding your DJ setup. Also, the Mixvibes Cross LE software brings access to DVS control in conjunction with the Xone:23C.”
SRP: £349 + VAT Shipping: June 2014
A Xone:23C product video is available on our Xone YouTube channel: http://youtu.be/mKaDg0rxqyQ
Loving the photography A&H. The Xone:23C in all its black and orange glory. It’s a good look in the flesh too.
Given that we took some of the images for this, it comes as no surprise to us. It’s hard to draw any solid conclusions just yet because the unit we had was pretty enough for photography, but strictly prototype. So we still have to do all the linking up to the controllers, but we’ve been assured of fully finished review units before anyone else. It’ll be nice to review mixers for a change.
Allen & Heath’s latest mixers, the XONE:23 and the XONE:23C, are the company’s entry-level replacement for the somewhat aged XONE:22. In this review, we’ll be focusing on the 23C, which is essentially the base model with an integrated soundcard and a few new styling touches.
I really enjoyed my time with the mixer, and while I admittedly have a few minor gripes, I feel very confident in saying that this an excellent choice for anyone looking for a 2 (+2) channel mixer with soundcard at this price point (around $399 USD).
Let’s dive in to the details and see what the latest XONE has to offer!
First Impressions
My last A&H mixer was the now-discontinued XONE:32, so it was difficult to compare the 23C to current offerings rather than my old silver-faced mistress. Unboxing the unit and hooking it up for the first time reminded me of doing the same with my 32. A moment of “well, (this) and (that) were some odd choices by the engineers… but damn does this thing sound and feel nice.” Rest client for safari mac.
I definitely have no complaints on the styling. The mixer looks modern and clean, with design cues taken from the DB:2. It’s got a nice metal finish, and large “XONE” and “ALLEN & HEATH” logos on the sides. After I take a moment to admire the pretty-ness, I am mildly disappointed to find that it has an external power supply. So, bear in mind that you’ll have an extra “brick” to go along with your new gear. It’s small and unobtrusive, but worth mentioning.
The box also contains a USB cable, a user manual, a download voucher for the MixVibes Cross LE software, and a pair of small jumper cables… more on that later.
The line faders feel appropriately stiff for a smooth, yet sturdy feel… this isn’t Allen & Heath’s first rodeo, and they’ve pretty much gotten the tactile aspects down by now. The crossfader is much more loose by comparison (as it should be), and is Innofader-compatible for the scratch DJs. All of the knobs are nice and grippy, with solid center detents for the EQs.
Mixvibes Cross Le Xone 23c 2
The crossfader curve is selectable between linear and a sharp on/off (for scratching). There is no crossfader reverse option, however… a downside for scratch DJs that prefer “hamster style”.
Overall, the unit is actually quite light for something that feels so sturdy… partially due to the fact that the power supply is not integrated. The build quality is everything you expect from a company like Allen & Heath. The 23C boasts a nice set of amenities for such a small and affordable mixer: dual headphone outputs (small and large), XLR outputs, XLR mic input, booth outputs, record out, and an FX send/return loop.
Another cool feature is the X-Link port on the back. For the uninitiated, this is basically an RJ-45 (like ethernet) connection which allows you to connect XONE:K2 controllers without using up USB ports on your laptop. Macbook users like myself are always up for anything that saves our limited USB ports, though I honestly would’ve probably preferred an integrated USB hub instead (a la Native Instruments’ Kontrol Z2). Still, it’s nice to know that the option is there for the brand-loyal.
The combination of the Xone:23C, the Cross LE software, and a pair of K2’s results in a rather nice complete budget setup for the modularly-minded digital DJ.
Performance
I wanted to try out both the analogue and integrated digital aspects of the mixer, so I connected one of my trusty Technics on the right while playing digitally from the left (utilizing the internal sound card).
Being a Traktor guy, I was pleased to find that the Xone’s audio interface popped up straight-away in the settings on my Macbook. https://powerfulmls276.weebly.com/loopmasters-mixtape-ableton-9-download.html. I literally plugged in the mixer’s power cord, connected the USB cable, and started playing a track in seconds.
This is a 2 + 2 mixer, meaning that it’s two channels and four inputs. Each channel has dual inputs (phono and line) which can be used simultaneously and have separate gain controls. Technically, you could probably consider this a 2 + 3 mixer. Each channel (line fader) is a summation of the two RCA inputs plus the USB audio assigned to that channel.
I used Shure SRH-750DJ headphones for monitoring, which can be on the quiet side for some gear (I struggle using them with my Kontrol S4). So, I was very happy to discover that the headphones output was as loud as I could ever want them to be. Kudos. https://powerfulmls276.weebly.com/edm-templates-ableton-download.html.
The 9-cell VU meters are nice and bright, showing the levels of whatever line has the “Cue” button lit… or showing the overall output if both buttons are dim. This brings us to gain staging, which introduces a few gripes for me.
The first thing I noticed is that there is no knob for gain control of USB audio. Mbox 2 ableton mac. In other words, the volume level for the active track is determined by software… but you have no way to control it on the mixer itself. This bothers me since I’m used to the way that mixers like the Pioneer DJM900nexus and my Denon DN-X1600 work… the gain knob works just as it would for a pair of CDJs.
An acceptable workaround would be available if the mixer was MIDI-enabled and you could assign a knob to your software’s gain control. Mac os sierra ableton 9. But I saw no way to do this, which means that your options are: rely on the auto-gain function of your software, map a gain knob via MIDI on some other controller, or use your mouse.
https://alpineintensive331.weebly.com/counter-strike-16-game-download-for-mac.html. My other complaint came in when I brought in a vinyl record on the right channel. The music was very quiet. Even when I turned the gain knob all the way to 100%, it was barely touching 0db (the manual says to play between -6 and +6 on this particular mixer). I realized that the record I had chosen was from 2000 and might be a touch quieter, so I picked up a brand new record and put it on the table with the same result. The fact that I’d be struggling to play particularly quiet pieces of wax (like some of my very old records from the 70s-80s) concerned me a bit. Windows powershell 20 download xp.
These things aside, I was pleasantly un-surprised to hear the phenomenal sound quality that is inherent to the Allen & Heath brand. The total-kill EQs are smooth as butter, and are a complete joy to mix with. https://keentell425.weebly.com/midi-keyboard-controller-software-for-mac-amp.html. The faders and knobs all feel right.
And, of course, I would be remiss if I didn’t mention the now-legendary VCF (filter) that the XONE sports. If you don’t know the A&H filters by now, you should get hip. They are pretty much the best-sounding filters in the industry. To some, this will be a minor detail to skip over. To me, this is almost the selling point of this mixer.
I use my internal Traktor filters all the time, but I’d choose this one any day if I had it. The only thing that might make me think twice is the fact that there’s only one (assignable) filter instead of two… but I rarely filter two tracks at once anyway.
DVS Out of the Box…ish
One selling point of the XONE:23C is the fact that it includes Mixvibes Cross LE, which is DVS (timecode) enabled. Of course, it doesn’t include any control records or CDs and I didn’t see where to buy them on the Mixvibes website. I was able to find them on Amazon, however… so no biggie.
Mixvibes Cross Dj 3.2
However, the small jumper cables I mentioned earlier play a role here. It seems that, in order enable DVS functionality, you have to actually open up the mixer. Like, with a screwdriver. The manual states:
This job should be entrusted to an authorised service agent whilst the mixer is still under warranty as any damage due to incorrect procedure will not be covered.
Of course, not everyone lives within reasonable range of an authorized service agent (myself included… I’ve looked). Also, not everyone likes the idea of cracking open their brand new gear for advertised functionality, when it seemingly could’ve been catered to by the addition of a toggle switch.
There is always the option to use your own DVS software of choice (Traktor Scratch, Serato, etc.) but as the mixer is not certified for those applications, you’ll be bringing your own audio interface anyway. At that point, you should save a hundred bucks and get the base model XONE:23.
Summary
The XONE:23C is a terrific mixer for the price, considering everything that you get. It’s a well-built piece of gear that does a few things and does them well. The filter alone is reason enough for many DJs to go the XONE route over other entry-level mixer options.
It’s good for beginners and seasoned pros alike… appropriate for the modular digital DJ, the scratch DJ, and even the DVS DJ. A few gripes aside, I’d have no qualms about spending my hard-earned money on it. Especially when the amount of money is impressively low. For Allen & Heath fans wanting a 2-channel mixer with integrated sound, this hits the spot.